COPPICE - PHOTOGRAPHIC PROCESSES

Outline of the Photographic Process

Silver-based photographic materials (for both black and white and colour) consist of mixtures of solid crystals of silver chloride, silver bromide or silver iodide (the exact mix depends upon the product) suspended in gelatine and coated on a film or paper support.   The processing of photographic films and papers consists of two or three basic steps:

The Colour Photographic Process

Colour photographic materials include the majority of amateur and professional films and papers, motion picture films and some graphic arts products.

In colour products, virtually no silver remains in the film or paper after processing.

In processing colour photographic materials, the exact process will vary depending on market demand, imaging media and application.  Hence, every system will have local variations that need to be understood.

Typical Colour Photographic Processing Equipment

Typical Colour Minilab Film Processor

N1 - Developer

N2 - Bleach

N3 - Fixer

NS - Super Rinse / Stabiliser 

 

Typical Colour Minilab Printer-Processor

P1 - Developer

P2 - Bleach Fix

P3 - Super rinse

The Black and White Photographic Process

The black and white process has been around for well over a hundred years, in one form or another. It includes X-ray, graphic arts, microfilm and general-purpose operations.

It has the same 3 processing steps mentioned above, namely developing, fixing and washing.

There are now 2 main types of black and white material:

Unlike colour processes there are no standardised processes for traditional black and white processing.

There is wide variation in the composition and volumes of liquid waste from such processes. The manufacturer or supplier of the chemical products can usually provide more information on typical waste composition although this will vary with each installation.

There are many types of processing machines in use for black and white processes. A typical roller transport machine is shown here.

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